Dating sim end movie

Rated 4.29/5 based on 754 customer reviews

Asked why he escaped to the South, Rim mutters through torn and blood-encrusted lips, "To..enjoy liberty." Hearing this, one of the interrogators snickers, "Liberty?

There is no liberty in South Korea either, dumbass." These bureaucratic scourges know that preservation of the system is what the spy game is all about: neither revolution, nor justice, nor the unification of the "people split asunder" has anything to do with it in the end.

Ju-hee, on a visit from Suwon, becomes acquainted with a boy her age named Jun-ha (Cho Seung-woo) who takes her downriver to a crumbling 'haunted' house.

On their way back they lose their boat and are caught up in a rain shower, so that they return very late and Ju-hee is sent back to Suwon by her angry parents.

Those not familiar with recent Korean history may be completely sideswiped by a major subplot involving the framing of South Korean students in Berlin as Northern spies by the KCIA.

The movie's biggest problem, however, is that Han Suk-kyu and Ko So-young have little chemistry together.

There are so many compelling stories yet to be told on the silver screen.

An espionage thriller almost classical in its schemata (A movie that it immediately reminded me of was Martin Ritt's 1965 adaptation of John Le Carre's The Spy Who Came in From the Cold), the movie was somewhat overshadowed by the publicity surrounding the casting of Han Suk-kyu and Ko So-young, both of whom chose this project for a comeback film after long hiatuses.

Unfortunately the segment staged in the present day does not develop much emotional force, with Jo In-sung giving a particularly wooden performance as Ji-hye's love interest.

The flashback scenes are much better, thanks in particular to period details, nice cinematography and the charismatic acting of Cho Seung-woo.

Nonetheless, later on the director tries to stretch the plot into a Forrest Gump-style epic, striving for a unity at the end which, in all honesty, feels forced.

Echoes of My Sassy Girl are to be seen everywhere in this film, from the casting of minor characters (the old man under the tree, Jeon Ji-hyun's parents, etc.) to the music (Pachelbel's Canon in D) to various backdrops (trains, lots of rain).

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